an absolute treat for all the detroit disco freaks from derrick may and carl craig! originally released in 1992 on spiritual records, >simply just a ventage< features the two legends looping, filtering and slicing the f*ck out of john roccas >i want to be real (farleys hothouse piano mix)<, while on the flipside youve got the disco house bomb >ventage (institutional mix)<, which uses the original sample from >no control< on designer music

creeping wave is xpansul and sweeter beat. three tracks of modern techno grooves. title cut is a monster gallop of bleeps and synth tweaks. strady bass assault! sweeter beat, aka roberto melero, is one of those djs that first started playing electronic sounds with an electro / techno root in madrid, he has played in some of the most important clubs in madrid, like voltereta or soma experimental club, and after nearly 20 years behind the decks, his sound is definitely influenced by the e.b.m. sound, funk, techno and electro from detroit to miami, and the good old rave spirit.

excellent minimal phunkin detroit techno

for more than 15 years now, steve bug is known for influential track somewhere in between house, techno and minimalism. with his very good sense for the energy of self-limitation, bug has set standards when it comes to the funk of modern sound geometry, especially with his imprint poker flat recordings. milestones such as >loverboy<, >monsterbaze< or >wet n dry< are now essential elements of the history of electronic dance music. only a few weeks after the release of his fourth album collaboratory, bug even tops that one with this 12 inch on cocoon: while look whos stalking obviously refers to steves close relation to the raw energy of u.s. house in between chicago trax and detroit, using driving hand claps, percussions and nasty vocals, the flipside zero balance could pass as a vision of how far you can reduce techhouse to the essence of a bass line. also here, short vocal loops - besides the fast-moving elements - complete a sensibility that makes bugs tracks such high quality music for a very long time now.

detroit deephouse with cool etnic vocals and a rocking disco infected jeremiah mix of mir eu!!!

ltd repress !!! 3 stretched out and beefed-up edits of tracks that originally appeared as skits on the brilliant rockwell records label...tried and tested on the dancefloors of amsterdam - these are sure fire head rockers/ankle flexers!! >kutparra< is a contagious banger that makes you want to jump, like kriss kross used to do. >kutwell< comes as a catchy discofied house tune that reminds us of some detroit productions some years back.. this stays from though! >nosestep< finishes off in true aardvarck style.. a stripped down track with a bassline to kill for… bare essentials

conforce is a dutch artist wellknown for his previous productions on rush hour and curle, influenced by the sound of detroit definitly. modelisme welcomes him for a first project named cccp ep

owner of teknotika records gary martin is best known for his funky, exotic, and tribal grooves. the jennifer ep does not disappoint and delivers elements which range from hypnotic, percussive, and, tribal techno with that >detroit< flair

phat groovin detroit trax by mark broom and jonson

nice price deal !!! the latest new comers from barcelona are sw eden born pow erduo of marco gegenheimer and jens rosengren aka gegenheimer & jenius. both of them are active in the spanish house scene and have been creating a havoc w ith their record label collective ourvision w hich released the excellent archimboldo from fellow sw ede axel boman. the tracks they offered to moodmusic have a simple message of floor dominance w ith musical values and they?ve proven to w ork fairly w ell on recent moodmusic nights at panorama bar and sonar. starting w ith basic shape, a tech-housey, almost early techno feel takes over w ith phasing keys and dry drumprogramming w ith a big break w ith lends a few notes from detroit city. cadaquÚs has a more house feel to it, still keeps the groove as main point w ith stabbing keys and a beautiful theme taking you on a trip to almost mr fingers territory. the closing track ips has been a sureshot favourite at the moodmusic hq since w e got it, a classic deep house track of pure quality w hich show s the musical roots of these talented producers. watch out

foog is a new project of japanese veteran house music producer yukihiro fukutomi. yukihiro released the new single on mule musiq (cover of marshall jeffersons >open our eyes<!) under the own name few month ago, it was played by michael mayer, cassy. foog have already released two album in japan (only) and some of the track have been supported by carl craig, loco dice and name a few. this foog new single is a first single cut from the upcoming new album which will be released in feb or march 2010. a side >nino< is a dark experimental deep house. b side >manya< is a hi-tec detroit techno style!

lee curtiss and spectral sound have been running in the same pack for years-&#64257,,nally, after suf&#64257,,ciently circling each other and snif&#64257,,ng each others business, spectral and lee have joined forces to release the detroit producers the black door ep, and it s a doozy. lee curtiss traf&#64257,,cs in airtight, undeniable dance tracks with a tricksters sense of experimentation-the black door ep is all that and more, a beguiling 12 inch whose charms multiply with each listen. >black door beauty< opens side a with a touch of chicago futurism, spinning congas, staccato vocal samples, and a swift dusting of hi-hats into a house anthem with psychedelic undertones. berlin producer dyed soundoroms remix minimizes the sub-bass thump and plays up the tracks oddball trappings, tricking out >black door beauty< with the sounds of creaking hinges, neurotic synthesizers, and a particularly creepy chorus of hysterical tittering. b-side >smoking mirrors< guides the listener through clouds of melting organ tones and busy, polyrhythmic click-clack as a sturdy bassline (with a funky, french-house beat skip) cuts through the haze. curtiss lets the rhythm do the work, building to multiple climaxes in the span of seven minutes. at the end of each anxious buildup, there s a womans breathless moan, a let-the-air-out-of-the-tires hiss, and it s time to do it all over again.

scott ferguson back on kinda soul for a new detroit house story!!

hot new album by one of berlins finest techno producer... after numerous highly acclaimed ep releases, amsterdam based label delsin is proud to present the debut album of the mysterious masked producer redshape. one of technos most enigmatic figures, berlin based redshape produces timeless analogue techno with a detroit edge. rarely interviewed and with his identity kept a well guarded secret, redshapes reclusive persona contributes heavily to the aura of romance and drama that surrounds his recorded output.

home taping is killing music is a fresh new imprint that is all about a return to house music. producer of the moment the revenge (instruments of rapture/jisco music) kicks things off for the label in fine style with the stunning >forever in their debt<. a homage to the house producers that have influenced them and the artists whose samples have continued to drive house music forward expertly channeling the spirit of early chicago warehouse music, but with a modern production twist that truly captures that classic sound, but packs enough punch to wipe the floor with most of its peers. on the flip, maverick producer and dj red rack em (tirk/untracked/deep freeze) takes the track on a road trip to detroit, and produces a deep, moody and atmospheric version which brings to mind the work of pepe bradock and theo parrish. two sides, two flavours. both 100% house

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art.

ludovic llorca returns with another superb art of tones release with fellow countryman jaw (dop) supplying some stunning vocals. on remix duty is the enormously talented motor city drum ensemble, back on 2020 after his lonely one single. his remix is a huge deep, dark and brooding detroit house take on the original and has already been licensed to nrk for a steve bug compilation. this is trademark 2020vision deep electronic soul music!

nice price deal !!! a hugely influential figure in the french techno scene for the last 15 years, lady b (aka bruno gauthier) brings his acid house flavors to curfew. a child of detroit techno and chicago house bruno has released on some of the most significant record labels in electronic music history including luke solomons and derrick carters re-launched classic recordings, f communications, dj gigolo, boys noise, citizen records, and the hackers good life label.
le fil du razoir (the razors edge in english) brings a classic techno vibe up to date via a dose of wobbly acid house. the result is a no-nonsense, high impact fusion of spitting beats, evil sub-bass and sharp jacking strings. big…
fresh from a chart-topping ep for sci+tec, reset robot brings his sound-of-now to curfew. pacing out the track to allow a swaying funk to percolate the off-kilter drone of the original the result is an edgy, melodic tech house groove.
kapat sees lady b combine bubbling 80s synth pop melodies with heavy rolling bass and drawn out dramatic strings to create a full-force floor grabbing blend of old and new. timeless, energetic, emotive underground music.

following the great international success of glitterbugs album >supershelter<, everyone has been curious to hear what this unique and unmatched producer will bring us next. and truth is, there is a lot! glitterbug has been working on piles of new enchanting materials, tracks, projects and remixes.
as a first release in a series that will lead to his next (double cd) album, is the >dim flares ep<: a dream-like, intense and deep moody ep that carries that very special glitterbug sound to a whole new level, touching on deep emotional techno with a utopian 4/4 perspective.
this beautiful ep opens with >so much more>, an epic track that releases its melancholic-euphoric mood slowly over the course of 9 minutes, turning itself into a beautiful, hopeful, hand-raising screamer that floods the dance floor with overwhelming warmth and heartfelt love. side a ends with >deadpan<, an intense dark ambient miniature that lets us peak at glitterbugs world of score-like ambient compositions.
the b-side begins with >daubed beams<, a deephouse track all glitterbug. >daubed beams< feels like what mid 90s detroit techno released on warp would have sounded like: unbelievably deep, pensive, warm, divine and pumping.
c.sides latest emotive ep culminates with >be content<, a warm track with a deep drive of warped pads, a dark bass-line, airy percussion and unforgettable arpeggios. this exhilarating dance track is layered with bottomless emotions, the kind you want to close your eyes to, hug the person dancing next to you and wish it would never ever end.
the >dim flares ep< is the first in a series of 3 magnificently moving eps (by glitterbug, christian löffler, and a collaboration between glitterbug & ostgut ton s murat tepeli) to be released on the c.sides label in 2009-2010, all leading up to glitterbugs extraordinary next double album which is currently in the making and will be released in spring 2010.

excellent acidic detroit techno !!!

manel ruiz aka sistema and javier orduna aka retronouveau started work together in 2008. they found deeps edayar to put together their passion of dub, detroit techno, idm, chicago sounds. this year is one of the duos most successful in upcoming productions in labels like overflow records, neue lärmklassiker and phonobox. in this release bring us 2 tracks, >ready to june< and a remix from the original. a tight compressed kick and atmospheric touch of dubby techno,is more of a pure techno track with an old school feeling to it. deeps edayar totally builds it to another level with sublime melodies and a additional bouncing bassline. they represent the modern soul of detroit with raw grooves and understated textures.

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

after a four year hiatus ferrispark records picks up where the legendary detroit deep house label left off... ferrispark records is proud to announce the 2nd 12inch vinyl release from scott fergusons full length album entitled save our sons and daughters. this limited edition vinyl release contains 3 tracks of deep and soulful detroit influenced dance music.

the word >detroit< is one that is used far too often in todayÆs techno realm. it seems that as soon as someone puts a pad over the top of a 4x4 kick drum they have the right to file their music under >detroit techno<. soà when tracks like this arrive in your inbox with no accompanying information, well itÆs a breath of fresh air to say the least. these four tracks by new boy mick welch truly capture the essence of detroit, bringing to mind the classic works by derrick may, kenny larkin and even hints of influences a little closer to home, b12, redcell, kirk degiorgio and the rest of the applied rhythmic technology crew for example. highly recommended.

dj supports: steve rachmad, billy delassandro, joseph capriati, brandon moeller, laurent garnier, rejected, mr.g, savas pascalidis, javier orduna, subsky, sam rouanet, joris voorn, klovn, estroe, tommaz, marcelo rosselot, coyu, renato cohen, taras van de voorde, eelke kleijn, nuno dos santos, christopher colak, shirazi minz, arnaud le texier
anxiety - xpansul remix:
summer is in the air, detroit edged techno anthem. it is big.
sighs - original:
disturbing and frustrating minimal banger. it always works.
anxiety - original:
deep and driving, fused into philogresz synthesis.

new ep from detroit techno and graphics legend alan oldham.
following up the more experimental >johnny gambit 01: the prodigal son< graphic novel/soundtrack (pure18lp), alan d. oldham a.k.a. dj t-1000 gets back to basics with the >blaster ep<, phase two of the pure sonik records restart.
>blaster< kicks off the proceedings. a dirty, tracky, and bitcrushed statement of intent, >blaster< is a 130 bpm love letter to all the hard techno fans in germany and spain who have kept the faith and supported dj t-1000s international dates all these years, and the definitive statement that pure sonik records is back!
on the b-side, oldham goes electro with >i rock shit everyday<, a dark, dirty, detroit electro-groove inspired by one of his all-time favorite detroit electro acts, ultradyne. the ep closer, the lo-fi >machines<, is the sound of your laptop, tv, and coffee maker conspiring against you in dial-up modem code. what happens when your microwave starts thinking it can cook better than you? you better watch out...

roland appel started producing music and spinning records in the early nineties. he was a member of fauna flash (together with christian prommer) and the trüby trio (with rainer trüby + christian prommer). in 2002 he released an album with peter kruder and christian prommer as voom:voom . with every project he toured the world and played clubs and festivals from montreal jazz festival, sonar festival to fabric london, new york, berlin and tokyo. from 2004 to 2006 roland lived in paris. during this time he started to write music for his solo career which quickly gained an international following. in 2006 returning to his home town of munich he teamed up with engineer jan krause to start recording once again. whether roland incorporates an accomplice or is working solo, thereÆs hardly a dull moment in the studio or on stage, captivating his audience by combining the integral influences of detroit techno, folk, disco all the way to soul and house. one of the most in demand tracks from the all night long album, snow gets a full single release as a result of the huge response from disco heavyweights horse meat disco, who took the time to contact us to tell us how much they love it. old school disco in every way, certainly not space and nothing nu about ita.. dfa darlings runaway turn it in a slow burning house direction that builds the tension until every last drop is wrung out in a sweaty pool on the dancefloor. nice.

2009 ist das jahr von kleinschmager audio. nach seinem debutalbum im märz folgen nun die ersten remixe. >helicotrema< wird von sven tasnadi (oh!yeah!, pokerflat) auf gekonnt minimal-technoide art und weisere-interpretiert. drums und percussions stehen von beginn an voll im vordergrund, werden aber nach und nach ausgedünnt, um in folge dieser spannungsgeladenen steigerung noch kraftvoller wieder einzusteigen. einenergetisches dj tool par excellence. >emphasis< bekommt von marko fürstenberg (ornaments, a.r.t.less, thinner) seinen gewohnt deepen detroit dub techno stempel aufgedrückt - einfach zeitlos. grund genug, diesem remix gern die komplette b-seite der 12“ zu geben. zwischen beide remixe gesellt sich mit >tuba auditiva< noch eine singleauskopplung. der track mit der saxophon-hook ist einer der knaller des albums und fehlte bisher einfach auf vinyl.

the dutchman jeroen verheij aka secret cinema is now looking back on almost twenty years of experience within the field of electronic music. his first production sonar system, which has originally been released on the legendary belgian label hithouse under the alias meng syndicate in 1990 and was re-released two years later on music man, is rightly belonging to the absolute classics of rave techno and has antedated the rotterdam-detroit sound axis with providing a staccato somewhere in between a piercing snare and an acid siren.

four cuts of deepest party music maintaining the high standards we ve come to expect from meanwhile since their label debut back in 2004. transfesa recalls the vibes of golden era detroit techno. a laid back 4/4 groove for late night journeys into urban wilderness.

following on from his recent >obey / resurrection< single which continues to receive phenomenal dj support, robert hood returns with the next release for his formidable m-plant label.
the rhythmical adventures of >superman< immediately grab your attention as hood shows us once again how it should be done. with his signature stripped-down beats and perfect blending of solid detroit techno embellished with infectious tracky chicago claps, >superman< is a real show-stopper.
alternatively >range< is a deeper ride through more acidic territories as hood demonstrates why he is still the minimal master. aimed directly at the dancefloor, this is sure to receive as much attention on the decks.
with m-plant firmly back where it belongs, the latter part of 2009 will see the re-release of two classic m-plant singles >the pace< and >stereotype<. not to be missed.

city wasteland comes as a full cd as well as a split in two 12inches including some tracks that are vinyl-exclusives. sebastian lohse a.k.a. break sl from dresden is still quite young, but you can feel that he already defined his own universe of sounds and proper production skills. the second 12inch (city wasteland pt.2) now starts with the track move! which doesnt carry it s name for nothing - this is true-school techno! next, dirtbomb shows some nice edges and has a kinda dark feeling. hovering samples and a raw, dirty feel on the drums gives the whole track a very subtle blues. on the flip break sl enters deepest territory of detroit-influenced techno with weird dancer. the last track here tff is a vinyl-exclusive which delivers intense and acid-like drum layers ... chicago galore! thanks for purchasing a real copy!

kai alcé returns to real soon with a new 3-track ep - his third release on the label following corner manuvers (2006) and broken headlights (2007). polyester static features two tracks at either end of kais stylistic spectrum plus a driving remix by house music legend chez damier. the title track is a classic mix of jacking synth bassline, rhodes piano chords, pitched up cowbells and scat vocals. at the other end of the spectrum, born a day after is another great example of kais deep, drowsy, beautifully constructed minimalism. on the flip, chez damier remixes polyester static, heading straight for the dancefloor with a rolling bassline, stabbing chords and submerged vocal - irresistible pure house music in the best tradition! kai alcé is an atlanta-based dj and producer with roots in detroit and new york. he has previous releases on track mode, late night essentials, real soon & moodymanns mahogani music and in 2008 launched his own label ndatl muzik

let me do yore starts off in tribal mode and then adds triangle and shakers to its relaxed percussive groove before shuttling off into the stratosphere where sheets of synthetic slivers dart past at lightning speed, the tracks bottom heavy pulse builds in intensity as claps and soulful voice swirls bring a delirious vibe to the proceedings. following a detroit tinged intro, a moment of truth slides into place with congas and claps helping it find its way. sizzling hi hats and a thumping kick drum deepen the groove while a funky bass line provides hip shaking accompaniment and marks the return of a house legend, who’s still at his best. soul never goes out of style, right?!

seth troxlers panic, stop. repeat! ep brings together all facets of the young berlin-via-detroit producers notoriously brilliant/bizarre persona, offering two new tracks (and one house-y remix) of sweaty, ecstatic dance music with a dirty mind and a heart of gold. >panic, stop. repeat!< uses its titular command as a guiding principle, eroding its own immaculate facade through a series of anxious freakouts. the track rolls along like a freight train with aloose screw-designed for precision and speed, but with mechanical parts that constantly jiggle free and whiz off into the stratosphere. as a leathery kick drum and a wickedly simple two-note bassline keep the pace, >panic, stop. repeat!< takes a series of surreal detours involving an ekg machine, a ladys feverish coos, and one particularly old-school sci-fi synth. next up, troxler melds minds with matthew dear on the collaborative >hurt<, a sexy beast of a track featuring bone-dry drum machines, a huge lead tom-tom, and dears terrifyingly deep spoken-word musings. paco osunas remix of >panic, stop. repeat!< rounds out the ep with an exhilarating take on troxlers original, building a subversive house creeper around panics heavy-breathing leading lady.

a smart mixture of warm detroit beatdown house & spaced out dub techno vibes

heinrich mueller and victoria lukas with a new project! some dark abstract modern electronics with the atmosphere of russian novels combined with the sounds rooted in an almost opposite part of the world... detroit.

heinrich mueller and victoria lukas with a new project! some dark abstract modern electronics with the atmosphere of russian novels combined with the sounds rooted in an almost opposite part of the world... detroit.

peter grummich is a man who needs little introduction. peter has been producing grade-a techno and house for over a decade now on some of the most established electronic dance music labels in europe. peters unique production techniques draw upon a deeper sense of music. segeltuch – >the triolig deep track< is a dark and stripped down tech-house journey. chunky snares and simplistic high hats meld with ominous synth dripping with dub-styled delays. classically detroit sustained string sounds and rich analogue sweeps reflect peters loving detail oriented production at it s finest. what is most remarkable about this collection of sounds is that it gives segeltuch – >the triolig deep track< a remarkable versatility, both dancefloor energy and time.
elevation funk is no average b-side. elevation funk is a super sexy house groove that does the job right. deep and hypnotic analogue stabs slowly modulate to keep the bodies swinging on the dancefloor. odd synthetic effects and cut up noises just drip in overdriven dub-styled delays keeping the groove from getting style and providing delicious ear candy for the dancefloor. then about half way through this journey peter slowly brings back in a wet sounding hat pattern to bring this slow cooking bomb to the boiling point.

diametric is a new glasgow based record label which aims to put the word underground back into electronic music and give back something special to the techno and electro community. the label is strictly vinyl only. each release will be very limited and packaged by hand to give the label a personal approach for all true underground techno heads out there that still appreciate the spirit of true techno and electro.
the first release is a dream come true project for us, as we are proud to present a 12 inch by detroit legend optic nerve aka keith tucker, part of the famous electro duo aux88. keith is recording under several monikers such as optic nerve, k-1 or alien fm since the very early nineties and has built his own unique style of electro and techno music out of detroit. the >reassimilation ep< showcases keith at his best, deep driving techno with that extra bit of funk that most of todays productions are missing. we are very sure these tracks will devastate the dancefloors.
get reassimilated!

autodiscotheque return with a mighty release by one of their favourite maverick producers and djs danny berman. with releases on tirk, untracked, deep freeze and society, danny has made a big impression with his mixed up approach to production and djing. from the wonky house of the hot coins material released on tirk, to the more classically detroit outings under his red rackem moniker, danny is a music lover with an ear for the not so obvious and the left of centre musical territory.on this release which features both his musical personas simultaneously, the idea was to truly represent the difference between the red rackem and hot coins sounds on a single release, and to recreate an intense peak time feeling, but to do it from these two completely different scenes.place for me is detroit inspired heads down, cut up motown soul business, which pays homage to one of dannys favourite producers moodymann, and fits perfectly into that crossover space between slo-mo house and disco. chinese electro on the flip however, references that authentic early 80s new wave electro sound, and is influenced by yellow magic orchestra and recordings from new wave radio shows like belgiums liaison dangereuses

oh yes! the long awaited return of ibex aka tony ollivierra. we always loved his dj slym fas (intangible) and ibex (planet e) releases and now he is back to do his thing for rush hour!
this includes three joyful house tracks of which 350 comes in vocal and instrumental version. reminds us of his earlier planet e stuff. its also reminiscent of early recloose stuff. lets leave it at essential detroit house music. welcome back ibex!

detroit based multi instrumentalist jimmy edgar brings his unique electronic vision to items & things for the labels keenly anticipated fourth release. edgars versatility is well documented with influences ranging from jazz, funk and r&b through to chicago house and of course detroit techno. for this outing he puts his distinctive r&b tinged electronica to one side, laying down some timeless acid house grooves that pay homage to the founding fathers of the genre. the sublime techno soul of the title track funktion house kicks off the 4-track ep with sweet chord stabs and laid back laser sweeps dominating the intro. a gentle yet infectious background melody thatll pull bodies to the dancefloor like bees to honey completes the summertime vibe with each element effortlessly evolving as edgar applies subtle ring shifts and delays to the down tempo groove.

classic detroit techno from kevin saunderson !! incl joey beltram remix... ltd 2009 repress !!

brilliant raw & unique sounding techno in early 1990s detroit tradition - highly recommended!

another stunning 2009 repress !! ultracool detroit techno classic coming from magic juan

roxour is proud to present fresh music from r-04, a very talented mid 20 boy from downtown tokyo. for r 04 things started about 10 years ago when testing out his first syntheziser. from japanese fascination of composing and living game music soon he was fascinated by the magic of detroit techno. aside from that, he plays on the grand piano with that jazzy - and funkyness of an early stevie wonder. r-04s music is reflecting the city where he comes from. he says many tall inorganic buildings and night scene always inspire me. his first official release gazing at the moon is somewhere between jazz and techno. its a kind of tribute to the so called chu shu no meigetsu convention, the autumn time in japan, when no one can ignore the beauty of the big shiny full moon. also i composed this track meaning that we had better keep emotional leeway to enjoy the full moon no matter how busy we are. patrick alavis ace remix is turning the jazz and detroit techno rooted original into a deep roller.

patrick begins with his techno bomb “tooth n nail”, a track that showcases a heavy detroit influence with smooth synth work reminiscent of productions from robert hood and carl craig. midway through the track, patrick keeps us guessing with a wobbly synth line that adds playfulness to an otherwise straightforward, moody journey. an understated use of serene female whispers throughout gives this tracks techno classicism a fresh sound. next patrick gives us “davinches”, a chugging tech-house track that pairs a deep, buoyant bass line with a tight, resonant kick, giving it a dynamic groove. patricks tight percussion work keeps things moving with its rims, clicks, and ticks set against a spooky, playful melody that energizes and propels the track to its finish. fans of guido schneider won’t want to miss this one! on the flip, nyc’s elon of clink recordings fame, and a newcomer to klectik, takes on remix duties with a minimal techno take on patrick’s “tooth n nail”. elons version is a pulsating, stripped down mind-bender marked by sub-bass and the sporadic clangs of raw machinery — sexy! this remix maintains the smooth character of patricks original in melodic sensibility, but stands on its own via sparse rhythmic patterns resulting in a deeper, moodier treatment.

2005 classic! deep percussive detroit house grooves!!